Apr 26, 2019 Premiere has a feature called 'Display Color Management' that will coordinate with your monitor's display settings in order to correctly display in a Rec709, gamma 2.4 profile. Premiere Pro Preferences General 'Enable Display Color Management (requires GPU acceleration)'. With color management off, this will only affect the interface display viewers, and then only if the flag “Use Mac Display Color Profile for Viewers” is set (on by default, MacOS only). Unfortunately it does not as of yet apply ICC profiles to the viewers under Windows (see footnote 4 ). In Final Cut Pro 7, if you color a clip in the project browser, that color populates out to every instance of the clip in the project. By default in Adobe Premiere Pro, however, every time you drag a clip into a timeline, it acts like a unique instance of that clip.
Working with bins
Bins have the same icon as a folder on your hard drive and work in almost exactly the same way. They allow you to store your clips in a more organized way, by dividing them into different groups.
Just like folders on your hard drive, you can have multiple bins inside other bins, creating a folder structure as comprehensive as your project requires.
There’s one very important difference between bins and folders on your hard drive: Bins exist only inside your Adobe Premiere Pro project file. You won’t see individual project bins anywhere on your hard drive.
Creating bins
Let’s create a bin.
Managing media in bins
Now that we have some bins, let’s put them to use. As you move clips into bins, use the disclosure triangles to hide their contents and tidy up the view.
Changing bin views
Though there is a distinction between the Project panel and bins, they have the same controls and viewing options. For all intents and purposes, you can treat the Project panel as a bin.
Bins have two views. You choose between them by clicking the List View or Icon View button at the bottom left of the Project panel.
The Project panel has a Zoom control, which changes the size of the clip icons or thumbnails.
Assigning labels
Every item in the Project panel has a label color. In List view, the Label heading shows the label color for every clip. When you add your clips to a sequence, they will appear in the Timeline panel with this color.
Let’s change the color for the title so that it matches the other clips in this bin.
Changing names
Because clips in your project are separate from the media files they link to, you can rename items inside Adobe Premiere Pro, and the names of your original media files on the hard drive are left untouched. This makes renaming clips safe to do!
Customizing bins
Adobe Premiere Pro displays certain types of information in the Project panel by default. You can easily add or remove headings. Depending on the clips you have and the types of metadata you are working with, you might want to display or hide different kinds of information.
You’ll notice that Media Type is now added as a heading for the Theft Unexpected bin but not for any other bins. To make this kind of change to every bin in one step, use the panel menu on the Project panel, rather than on an individual bin.
Some of the headings are for information only, while others can be edited directly. The Scene heading, for example, allows you to add a scene number for each clip.
Notice that if you enter a number for a scene and then press the Enter key, Adobe Premiere Pro activates the next scene box. This way, you can use the keyboard to quickly enter information about each clip, jumping from one box to the next.
The Scene heading is a special one. It gives you information about what the scene clips are intended for; it also gives Adobe Premiere Pro information about which scene from an original script should be used for automatic analysis of the audio (see “Organizing media with content analysis” later in this lesson).
Having multiple bins open at once
When you double-click a bin, by default Adobe Premiere Pro opens the bin in a floating panel. Every bin panel behaves in the same way, with the same options, buttons, and settings.
If you have room on your computer monitor, you can have as many bins open as you like.
Bins are like any other kind of panel in that you can drag them to any part of the interface, resize them, combine them with other panels, and toggle them between full-screen and frame display using the ` (grave) key.
Bins open in their own panel when you double-click them because of the default preferences, which you can change to suit your editing style.
Choose Edit > Preferences > General (Windows) or Premiere Pro > Preferences > General (Mac OS) to change the options.
Each of the options lets you choose what will happen when you double-click, double-click with the Control (Windows) or Command (Mac OS) key, or double-click with the Alt (Windows) or Option (Mac OS) key.
Are you working on a film or an interview spot that has multiple camera angles for the same scene? Premiere Pro’s multi-camera editing feature lets you sync multiple camera angles in one sequence, then seamlessly switch between those angles by pressing the number keys on your keyboard. It’s easy and time saving — two things I love!
So, let’s get to it. If you want to follow along by using the video clips I filmed and used in this tutorial, you can grab them on my website here.I filmed all three video clips in 1080p HD at 30 frames per second (fps) on three different cameras: the Canon EOS M3, Canon XF100, and iPhone 6. (See if you can tell which camera is which!) I edit with a Mac OS system and use the latest version of Premiere Pro CC 2017 (11.0.2 Build).
Color Management WorkflowStep 1: Create a Multi-Camera Source Sequence
In your Project Panel, create a bin (Premiere Pro’s name for a folder) called “Multi-Cam” and place all of your camera-angle video clips in that bin. I have three camera angles and I’ve labeled each accordingly:
Audio Tip: For multi-camera editing, I recommend that you record all of your angles with audio, and that one camera angle contain the high-quality audio track. The other angles can have poor quality, such as on-camera sound, but you need at least one camera angle with high-quality audio to successfully edit a multi-camera source sequence.
Next, right-click on the bin (ctrl+click for Mac OS) and choose “Create Multi-Camera Source Sequence” from the context menu. This will open up the Multi-Camera Source Sequence dialogue box.
This is where you choose how you want to combine the multi-cam video clips. You can combine clips by in/out points, overlapping timecodes, or audio waveforms. In this tutorial, I’m going to combine the clips using Premiere Pro’s advanced audio-sync waveform feature. After you select “Audio,” you need to choose the Audio Sequence Settings. You have three options:
Camera 1: This setting will sync all video clips with the audio track from camera 1 only — the audio tracks from the other camera angles are muted. This means that the audio from camera 1 will be dominant and constant throughout your multi-camera source sequence.
All Cameras: This setting will mix all the audio tracks from the video clips together.
Switch Audio: This setting is great if you want each camera angle to use its own source audio. For example, once you start editing (see Step 4), when you select Camera Angle 2, the audio from Camera Angle 2 will be heard, and if you switch back to Camera Angle 3, the audio from Camera Angle 3 will be heard, and so on.
In this case, I don’t want to select the “Switch Audio” option, as only Camera Angle 1 contains the high-quality audio track I want in my final video. And since I don’t want the audio tracks from other angles to be heard, I definitely don’t want to select “All Cameras.” I’m selecting the “Camera 1” option, so that all camera angles will sync with the audio from Camera Angle 1.
Step 2: Create a Multi-Camera Target SequenceEnable Display Color Management Premiere Pro Download
The target sequence enables you to edit and switch between multiple camera angles. To create a target sequence from your multi-camera source sequence, right-click on the new multi-camera source sequence from your Project Panel and choose “New Sequence From Clip” from the context menu. Double click on this sequence to open it and begin editing.
3. Enable Multi-Camera Editing in the Program MonitorEnable Display Color Management Premiere Pro Cc
To begin editing, first enable multi-cam editing mode by clicking on the “+” icon from the Program Monitor and dragging the “Toggle Multi-Camera View” icon into your toolbar. Click on it to activate.
Quick Tip: You can also enable the multi-camera editing mode using the keyboard shortcut Shift+0.
Once you’re in multi-camera editing mode, you’ll see two windows within the Program Monitor. In the left window, you’ll find all the camera angles that exist within the multi-camera source sequence (in this case, you should see three camera angles). You can also re-order the camera angles to change the sequence order or disable them by selecting “Edit Cameras” from the Source Monitor’s pop-up menu. In the right window, you’ll see the composite target sequence (what you’ll see in the final video product).
If you scrub through the sequence now, you’ll only see Camera Angle 1, because we haven’t told the sequence to switch to another angle yet.
Step 4: Editing and Switching Camera Angles
To begin, play the sequence by hitting the spacebar, then, according to your desired time code, click on the camera angle you want viewed in real time.
Editing Tip: Use your keyboard’s number keys to switch between angles: 1 for Camera Angle 1, 2 for Camera Angle 2, 3 for Camera Angle 3, and son on.
Switch back and forth between the angles until you achieve your desired sequence. Once you’re finished, hit the spacebar to stop. When you zoom in to the sequence, you’ll see that Premiere Pro has automatically cut and replaced the new angle for each timecode you selected. Multi-camera magic!
5. Adjusting and Refining Your Multi-Camera Target SequencePremiere Pro Enable Display Color Management
To adjust and refine cuts, use the Rolling Edit tool. Select the tool from the toolbar (or press “N” to activate the rolling edit), then grab the cut and roll it to the desired timecode in the sequence.
Or, let’s say you want to change from Camera Angle 2 to Camera Angle 3. You can do this by clicking on the clip in the sequence and pressing the number of the angle you want to change it to. It’s really that easy!
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Finally, go in and add any effects, such as color correction, music, or transitions to the sequence, as you would with any standard sequence in Premiere Pro.
Color Management Pdf
If you have any questions about this process, or multi-camera editing in general, please leave a comment below or drop me a line on my website!
Change Color Premiere Pro
Top image: Still from Behind The Scenes on TV Production Set by hotelfoxtrot
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